| Introduction to the Series |
vii | |
| Introduction — Alois Riegl: History’s
Deposition |
1 | Saul Ostrow |
Riegl’s Thought |
11 | Hans Sedlmayr |
| Aloïs Riegl | 33 |
Julius von Schlosser |
| Reading
Riegl’s Kunst-Industrie |
49 | Richard
Woodfield |
|
Space,
Grace, and Stylistic Conformity: Spätromische Kunstindustrie,
and Architecture |
83 | Andrew Ballantyne |
| Problems of Style: Riegl’s Problematic Foundations | 107 | Joaquin Lorda |
| Aloïs Riegl: Volkskunst, Hausfleiss, und Hausindustrie | 135 | Stefan Muthesius |
| The Vital Skin: Riegl, The Maori, and Loos | 151 |
Joseph Masheck |
|
The Reception and First Criticism
of Alois Riegl in the |
183 | Ivo Hlobil |
|
Riegl and the Family Portrait,
or How to Deal with a |
195 | Frauke Laarman |
|
I’ve Got You Under My Skin: Rembrandt, Riegl, and the Will of Art History |
219 |
Benjamin Binstock |
|
Subjectivity
and Modernism: |
265 |
Matthew Rampley |
|
Works That
Have Lasted... Walter Benjamin |
291 | Giles Peaker |
| Commentary | 311 | Richard Woodfield |
|
Contributors
|
315 |