| List of figures |
vii |
| Preface | xi |
| Short titles |
xlii |
|
Richard Woodfield, ‘Introduction: Mapping the ground’ |
1 |
| 1. Klaus Lepsky, ‘Art and Language: Ernst H. Gombrich and Karl Bühler’s theory of language’ | 27 |
| 2. Menahem Brinker, ‘Art and Illusion and The Image and the Eye: philosophical implications’ | 43 |
| 3. Ian Gordon, ‘Gombrich and the psychology of perception’ | 60 |
| 4. David Topper, ‘Perspectives on perspective: Gombrich and his critics’ | 78 |
| 5. Edmond Wright, ‘Art and Illusion: a philosophical defence’ | 101 |
|
6. B. R. Tilghman, ‘A conceptual dimension of art history' |
115 |
| 7. Chang Hong Liu and John M. Kennedy, ‘Form and its symbolic meaning’ | 127 |
| 8. E. H. Gombrich, ‘Four theories of artistic expression’ | 141 |
| 9. Göran Sörbom, ‘‘A Lost Art’: optical refinements in Greek classical marble sculpture’ |
156 |
| 10. Jan Baptist Bedaux, ‘From normal to supranormal. Observations on realism and idealism from a biological perspective’ | 171 |
| 11 Graham
Birtwistle, ‘When skills become obtrusive: on E. H. Gombrich’s contribution to the study of primitivism’ |
196 |
| 12. Joaquin Lorda, ‘Orders with sense:
sense of order and classical architecture’ |
216 |
| 13 Jan Bakos, ‘The Vienna School’s
hundred and sixty-eighth graduate: The Vienna School’s ideas revised by E. H. Gombrich’ |
234 |
| List of contributors | 262 |
| Index | 267 |